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Lola Landekic
The Theft
Boxcutter
Lakeview
Safe
That Which is Heard
The Well
To Dress a Wound
Hey Men!
The Hobby
My Dead Mom
Being Normal
Women of This Land
Village Keeper
Fitting In
The Queen of My Dreams
The Cowichan Sweater
I Like Movies
In Dog Years
News
Press
About
Folder: Projects
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The Theft
Boxcutter
Lakeview
Safe
That Which is Heard
The Well
To Dress a Wound
Hey Men!
The Hobby
My Dead Mom
Being Normal
Women of This Land
Village Keeper
Fitting In
The Queen of My Dreams
The Cowichan Sweater
I Like Movies
In Dog Years
News
Press
About
It Shouldn't Be Radical: How One Creative Director Took a Sabbatical (Copy)
Setting the stage: Should there be an Oscar for title design? (Copy)
Frames of Reference: The Art and Psychology of Movie Name-Drops (Copy)
Interview: Ebon Moss-Bachrach, cult favourite star of The Bear, is living the sweet life (Copy)
Profile: You’re Influenced by Film Title Designer Pablo Ferro and You Probably Don’t Even Know It (Copy)
Artist Kenneth Lavallee’s striking work, inspired by Indigenous community leader, transforms Toronto park (Copy)
Review: Dim the Fluorescents is a hilarious and poignant jaunt through the creative process (Copy)
Profile: Sally Cruikshank — A Career Retrospective (Copy)
Feature: “Most of what follows is true.” A look at Butch Cassidy and the Sundance Kid through its opening titles (Copy)
Feature: Learn about the spine-tingling opening to Hitchcock’s The Birds, a classic of horror cinema (Copy)
Review: The Star’s take on the nativity of Jesus is mildly amusing but mostly boring (Copy)
It Shouldn't Be Radical: How One Creative Director Took a Sabbatical (Copy)
Setting the stage: Should there be an Oscar for title design? (Copy)
Frames of Reference: The Art and Psychology of Movie Name-Drops (Copy)
Interview: Ebon Moss-Bachrach, cult favourite star of The Bear, is living the sweet life (Copy)
Profile: You’re Influenced by Film Title Designer Pablo Ferro and You Probably Don’t Even Know It (Copy)
Artist Kenneth Lavallee’s striking work, inspired by Indigenous community leader, transforms Toronto park (Copy)
Review: Dim the Fluorescents is a hilarious and poignant jaunt through the creative process (Copy)
Profile: Sally Cruikshank — A Career Retrospective (Copy)
Feature: “Most of what follows is true.” A look at Butch Cassidy and the Sundance Kid through its opening titles (Copy)
Feature: Learn about the spine-tingling opening to Hitchcock’s The Birds, a classic of horror cinema (Copy)
Review: The Star’s take on the nativity of Jesus is mildly amusing but mostly boring (Copy)

Lola Landekic
Toronto, Canada

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